Sacred Concord

Mbh 7.14.2b

Mahabharata · translated by Kisari Mohan Ganguli

The valiant Nakula, however, cutting off his uncle’s steeds and umbrella and standard and charioteer and bow in that battle, blew his conch. Dhrishtaketu, engaged with Kripa, cut off diverse kinds of arrows shot at him by the latter, and then pierced Kripa, with seventy arrows. And then he cut off the device of Kripa’s standard with three arrows. Kripa, however, began to oppose him with a thick shower of arrows. And resisting him in this way, the Brahmana fought on with Dhrishtaketu. Satyaki, laughing the while, pierced Kritavarman in the centre of the chest with a long arrow. And piercing him then with seventy arrows, he once more pierced him with many others. The Bhoja warrior, however, in return, pierced Satyaki with seventy arrows of keen points. Like the swiftly-coursing winds failing to move a mountain, Kritavarman was unable to move Satyaki or make him tremble. Senapati deeply struck Susarman in his vitals. Susarman also struck his antagonist with a lance on the shoulder-joint. Virata, aided by his Matsya warriors of great energy, resisted Vikartana’s son in that battle. And that feat (of the Matsya king) seemed highly wonderful. Even this was regarded as an act of great valour on the part of the Suta’s son, in that, he singly resisted that whole force by means of his straight shafts. King Drupada was engaged with Bhagadatta. And the battle between those two warriors became beautiful to behold. That bull among men, viz., Bhagadatta, pierced king Drupada and his driver and standard and car with many straight shafts. Then Drupada, excited with wrath, quickly pierced that mighty car-warrior in the chest with a straight shaft. Those two foremost of warriors on earth, viz., Somadatta’s son and Sikhandin, both conversant with every weapon, encountered each other in fierce battle that made all creatures tremble with fear. The valiant Bhurisravas, O king, covered that mighty car-warrior, Yajnasena’s son Sikhandin, with a thick shower of arrows.
Mbh 7.14.2b · Mahabharata · DRONA PARVA

Themes in this passage

WarChildrenLeadershipCourageNatureStrengthAngerFear

War in other traditions

The same theme, as Christianity, Taoism, Islam and Hellenism address it.

For Israel and the Philistines had put the battle in array, army against army.
1 Samuel 17:21 · Bible · 1 Samuel
A master of the art of war has said, 'I do not dare to be the host (to commence the war); I prefer to be the guest (to act on the defensive). I do not dare to advance an inch; I prefer to retire a foot.' This is called marshalling the ranks where there are no ranks; baring the arms (to fight) where there are no arms to bare; grasping the weapon where there is no weapon to grasp; advancing against the enemy where there is no enemy.
Tao Te Ching 69.1 · Tao Te Ching
Those who believe do battle for the cause of Allah; and those who disbelieve do battle for the cause of idols. So fight the minions of the devil. Lo! the devil's strategy is ever weak.
Quran 4:76 · Quran · Women
He spoke, then rush’d amid the warrior crew, And sent his voice before him as he flew, Loud, as the shout encountering armies yield When twice ten thousand shake the labouring field; Such was the voice, and such the thundering sound Of him whose trident rends the solid ground. Each Argive bosom beats to meet the fight, And grisly war appears a pleasing sight.
Iliad 14.15 · Iliad · 14

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