Sacred Concord

Mbh 7.179.1a

Mahabharata · translated by Kisari Mohan Ganguli

“Sanjaya said, ‘Having slain Alayudha, the Rakshasa Ghatotkacha became filled with delight. Standing at the head of the army he began to utter diverse kinds of shouts. Hearing those loud roars of his that made elephants tremble, a great fear, O monarch, entered into the hearts of thy warriors. Beholding the mighty son of Bhimasena engaged with Alayudha, the mighty-armed Karna rushed against the Panchalas. He pierced Dhrishtadyumna and Sikhandin, each with ten strong and straight shafts sped from his bow drawn to its fullest stretch. With a number of other powerful shafts, the Suta’s son then caused Yudhamanyu and Uttamaujas, and the great car-warrior Satyaki to tremble. The bows of those warriors also, O king, while they were engaged in striking Karna from all sides, were seen to be drawn into circles. On that night, the twang of their bow-strings and the rattle of their car-wheels (mingling together), became loud and deep as the roar of the clouds at the close of summer. The nocturnal battle, O monarch, resembled a gathering mass of clouds. The twang of bow-string and the rattle of car-wheels constituted its roar. The bows (of warriors) constituted its lightning flashes; and showers of shafts formed its downpour of rain. Standing immovable like a hill and possessed of the strength of a prince of mountains, that grinder of foes, viz., Vikartana’s son, Karna, O king, destroyed that wonderful shower of arrows shot at him. Devoted to the good of thy sons, the high-souled Vaikartana, in the battle, began to strike his foes with lances endued with the force of thunder, and with whetted shafts, equipped with beautiful wings of gold. Soon the standards of some were broken and cut down by Karna, and the bodies of others pierced and mangled by him with keen arrows; and soon some were deprived of drivers, and some of their steeds. Exceedingly afflicted by the Suta’s son in that battle, many of them entered the force of Yudhishthira.
Mbh 7.179.1a · Mahabharata · DRONA PARVA

Themes in this passage

WarChildrenStrengthLeadershipNatureCreationDevotionFear

War in other traditions

The same theme, as Christianity, Taoism, Islam and Hellenism address it.

For Israel and the Philistines had put the battle in array, army against army.
1 Samuel 17:21 · Bible · 1 Samuel
A master of the art of war has said, 'I do not dare to be the host (to commence the war); I prefer to be the guest (to act on the defensive). I do not dare to advance an inch; I prefer to retire a foot.' This is called marshalling the ranks where there are no ranks; baring the arms (to fight) where there are no arms to bare; grasping the weapon where there is no weapon to grasp; advancing against the enemy where there is no enemy.
Tao Te Ching 69.1 · Tao Te Ching
Those who believe do battle for the cause of Allah; and those who disbelieve do battle for the cause of idols. So fight the minions of the devil. Lo! the devil's strategy is ever weak.
Quran 4:76 · Quran · Women
He spoke, then rush’d amid the warrior crew, And sent his voice before him as he flew, Loud, as the shout encountering armies yield When twice ten thousand shake the labouring field; Such was the voice, and such the thundering sound Of him whose trident rends the solid ground. Each Argive bosom beats to meet the fight, And grisly war appears a pleasing sight.
Iliad 14.15 · Iliad · 14

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